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A Brief History Of Cameron
by Tyler Smith
Much has been made about the various themes of James Cameron's Avatar. Some are quick to criticize Cameron's views on the military, the environment, and America itself. Admittedly, Cameron makes no attempt to hide his commentary. As military contractors terrorize the mild-mannered natives of a lush planet, we are reminded of the United States' involvement in Iraq, and, to an even greater degree, the disgraceful treatment of Native Americans as the country seized more and more of their land.
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Clash of the Blockbusters
by Josh Long
Avatar – we’ve been hearing about it for ages, and now it’s finally here. We were skeptical, but the response is amazing. Critics are praising writer/director James Cameron’s new epic to a fault. Now it’s being compared to what many consider the greatest science fiction film ever, Star Wars. Ebert equates the two in the first sentence of his celebratory review. The comparison may be a little contrived, since Cameron was pushing it before any of us had a chance to decide for ourselves. But it’s an interesting comparison, and the commonalities between the two hulking sci-fi wonders give it credence. Is Cameron raising the bar in bringing us a new galaxy far, far, away?
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Feelin' Old
by Tyler Smith
Every New Year's Day, I take time to reflect on the movies that are now officially ten years old. When I first started doing this, it was just a fun practice. A few years ago, I found myself listing movies that were instrumental in my cinematic education. Movies like Fargo, L.A. Confidential, The Truman Show, Saving Private Ryan, and The Insider. It's yet another sign that I am getting older. It's strange to think that there are, as we speak, 17-year-olds being shaped by There Will Be Blood and No Country For Old Men. To these kids, movies like American Beauty and The Matrix are older gems waiting to be discovered; to me, they were the new vanguard, the product of cutting-edge new voices in cinema.
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Termination Facilitation at 10,000 Feet
by Jason Eaken
Jason Reitman is the real thing. Though comparisons to the family patriarch may never go away, he has managed to effortlessly establish himself as his own entity. At 32 years old, he is one of the best filmmakers working today. More impressive than his age, he's done it in just three films, all comedies. His latest, Up in the Air, is also his best.
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We Who Ruin Movies
by Tyler Smith
I was recently speaking to an old friend and he revealed his general dislike of film critics. This was, of course, quite off-putting, as he knew that this is what I consider my calling to be. I asked what it is exactly that bothers him about critics. His answer was intriguing; he talked about the recent Mira Nair film Amelia, which stars Hilary Swank as famed female pilot Amelia Earhart. As the film's release approached, he was excited to see the film. However, upon release, the majority of film critics panned the film, stating that it tried too hard to canonize its subject, rather than treat her as if she were a real person. Knowing that Earhart is already a rather mythic figure, the opportunity to see a realistic, human portrait of the missing pilot was an exciting prospect for most critics. But it was not to be and the disappointment of the film critic community was palpable.
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